Jan Showers’s new book, “Glamorous Living,” is a admonition of why our home interiors are so important. Done well, they can animate us or abundance us on any accustomed day. They can affiliate families and accommodate a absolute brand for abundant parties, ample and small.
Showers is a bedrock brilliant in the Dallas architecture world, admitting she started her close after than most, cat-and-mouse until her accouchement were grown. She’d been allowance accompany with home-decorating projects aback in the mid-1980s she accomplished she could be active abundant to accept a full-time job.
Her architecture close — Jan Showers and Associates — broadcast in 1995 to accommodate a exhibit for antiques. A few years after she launched her own appliance collection, the Jan Showers Collection, which has been awash beyond the country for about 20 years.
“Glamorous Living” (Abrams; 224 pp.; $65) is Showers’s third book, afterward “Glamorous Rooms” in 2009 and “Glamorous Retreats” in 2013.
Near the advanced of the book, Showers shares photographs from her own life, vacationing with her bedmate of abounding years, advocate Jim Showers, and their two daughters, Elizabeth Showers, who lives in Fort Worth, and Susanna Moldawer, who now lives in Houston and is a affiliated mother of three. In every photo, Showers looks stylish, whether she’s on the beach, on the ski slopes or airish with her accouchement in a acreage of bluebonnets.
The capacity of the book represent apartment from 20 homes, including one in Houston, additional Austin, Dallas, London, New York, Tulsa and Phoenix. You’ll see her own two homes — an affected country home in her hometown, Hillsboro, and a adult townhome in Dallas — in portraits of the columnist at the alpha of anniversary chapter.
The Houston Chronicle afresh batten with Showers about her new book, abundant architecture and what allure absolutely is.
Q: What prompted you to address this book now?
A: I had promised my bedmate that I would not do a third book. But I had aloof done so abounding appealing projects in the aftermost bristles years, and I thought, “I aloof accept to do it.” I had 200 images. I told my bedmate “I absolutely accept to do this.” I talked him into it. … This year, with COVID-19, we’re accomplishing aggregate virtually, and my website is set up to be transactional. If you adjustment the book from my website you’ll get a active book; a book ordered from amazon.com won’t be signed.
Q: What elements or all-embracing architecture touches do you anticipate accompany allure to a room?
A: It’s not about satin, amaze or beam — that affectionate of thing, not at all. There’s a band in the book’s addition that talks about appearance and adroitness and environments that are airy and agreeable and comfortable. That’s what allure is to me.
Q: Who or what inspires your style?
A: My mother had the best access on me of anyone. Also her mother, who admired French things. My grandmother had a abundant adulation of glass. I’m accepted for the Murano lighting and bottle that I carry. They accompany article appropriate to a room. I like best lamps, but I accommodate them because they usually accept abominable bases and shades.
My mother was a perfectionist. She was Martha Stewart afore there was a Martha Stewart. She knew aggregate about entertaining; she was the ultimate homemaker. She decidedly admired clothes and autogenous architecture … and she accomplished me.
Q: You boutique for antiques in France and biking across often. How does that access your designs?
A: I accept abstruse a lot from travel, activity to museums, actuality apparent to art and arcade for antiques. Then, fortunately, accepting accompany in Paris and London and activity to their houses and seeing how they alive there — it’s so different. There’s a lot of European architecture in my style.
European architecture is looser, not as studied, not as busy looking. They adhere pictures on bookcases, things Americans don’t tend to do but I’ve consistently admired doing.
Q: What is your admired affair to boutique for or adorn with?
A: Everybody thinks of me with lamps. I do admire best lamps. I’m crazy about Marbro lamps appropriate now. I can’t get abundant of them. They’re all duke painted; some are Murano glass.
I adulation chandeliers. I like lighting — period. There are so abounding companies accomplishing new lamps. I admire furniture, too. I consistently accept a lot of appropriate coffee tables; they are so abundant fun. And I adulation accessories of all kinds. I’m crazy about ceramics, and I’m affairs as abounding ceramics accessories as I can. I achievement I can get aback to France soon.
Q: You use a lot of antiques. It was not that continued ago that anybody declared that antiques were “dead.” Now I’m seeing lots of them; are your audience all-embracing them?
A: What I anticipate is accident is that we went through a accomplished aeon of people, adolescent people, not compassionate antiques at all. They didn’t accept that antiques accord a allowance character. You charge at atomic one or two in every room. I like best everything, best frames, things that are one of a kind. My adolescent audience appetite antiques and adulation best lighting.
Q: I’m seeing a acknowledgment to blush and arrangement — admitting some designers accept consistently admired it. Do you get aflame aback audience appetite blush instead of a home abounding of anemic neutrals?
A: The abode that’s on the awning of the book has bags of blush and prints. Its library is on the cover. It’s the seventh activity I’ve done with them. We acclimated the Brunschwig & Fils print, Lodi Garden.
A abode we’re accomplishing in Lake Forest (in Dallas) will be the brilliant of my abutting book. We’re application a lot of prints, and the abode calls for it. It’s an English-country-style house.
Q: You are a co-chair of the countdown Kips Bay Decorator Show Abode , and you busy the study. Tell me about that experience.
A: I was bent that we would accept absolutely acceptable designers from every above Texas city, and they are all good. That abode is so able-bodied done. It was a acceptable abode to activate with, but it bare redoing.
My allowance is the study, and I accept a Karl Springer 1970s block goatskin desk, an 18th-century German chandelier that’s in absolute action and addition admirable 18th-century allotment I’m application as a affectation table. I acclimated a mid-20th-century coffee table, an Italian armchair from my accumulating and absolutely abreast art. It’s a actual curated look.
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