The abounding signatories accommodate above producers such as Sir Cameron Mackintosh, Festival admiral including Fergus Linehan, and more!
Capital Theatres has beatific a letter to First Minister Nicola Sturgeon, as able-bodied as to Cabinet Secretary for Economy, Fair Assignment and Culture Fiona Hyslop, affected to Iain Munro, Chief Executive of Creative Scotland and Robert Wilson Chair of Creative Scotland which shows the calibration of the crisis adverse Basic Theatres and the abyss of abutment from its peers.
The abounding signatories accommodate above producers such as Sir Cameron Mackintosh, Festival admiral including Fergus Linehan, the Head of BECTU Phillipa Childs and creatives including Sir Matthew Bourne and Carlos Acosta.
Capital Theatres is in the action of applying for the best accessible to them at the moment which is £250,000. This is recognised in the letter and is the advertence to actuality able to administrate for a best of 1.9% of its turnover. Its trading deficity by March abutting year will be £1.8M.
Read the abounding letter below:
Dear First Minister,
Letter from The Board, Patrons and Supporters of Basic Theatres
We seek burning acceptance from the Scottish Government and Creative Scotland of the calibration of emergency adverse Basic Theatres, Scotland’s bigger theatre alms which operates the Festival Theatre, the King’s Theatre and The Studio.
The belief developed by Creative Scotland to administrate Scottish Government and UK Government funds finer prohibits Basic Theatres from accessing adapted emergency funding. Accommodation makers accept bootless to accept the attributes of our organisation, the accent and calibration of its operation, our cachet as a charity, and thereby the bifold accident adverse the advancing theatre operations and the connected approaching of the King’s Theatre. As a result, Basic Theatres is clumsy to administrate for emergency funding, which could absolutely abutment the organisation’s sustainability, in a way which added Scottish theatres accept been able to do. The aftereffect is that we may be affected to accept amid attention jobs or closing the King’s Theatre.
We actual cautiously agreed to stop actuality a Regularly Funded Organisation (RFO) in 2018 because we had succeeded in creating a airy business model. In a accustomed ambience that should accept been liveable with but the implications of that accommodation in these aberrant times are devastating. Consequently, area added theatres accept kept both their anniversary government abutment amalgamation and been able to admission accessible emergency funds accepting up to 50% of their turnover, Basic Theatres has admission to neither advancing abutment nor the adeptness to administrate for any added than 1.9% of its £12.9m turnover.
With a 90% bead in assets this is an unviable position which we acquisition ourselves in, anon because we were a amenable and able-bodied managed theatre organisation; one that maintains and curates two iconic ancestry theatres and a Studio, acknowledging over 230 jobs in the city.
Capital Theatres makes a cogent addition to the local, civic and cultural area economies affairs over 500,000 tickets annually, carrying bloom and wellbeing allowances for the community, and generally staging assignment that is apparent boilerplate abroad in Scotland. Indeed, the Festival Theatre is Scotland’s Number 1 area for all-embracing productions, as able-bodied as actuality a amount cog in the cultural anatomy of the festivals, the burghal and the country. Not alone acting as the home in Edinburgh of our civic companies, Basic Theatres is additionally host to a above allotment of the All-embracing Festival whose programme would not be accessible after our stages. Our association appulse for bodies active with dementia, for affliction accomplished accouchement and for the LGBTQ association is able-bodied accurate and has connected to bear cogent account accepting transitioned to an online programme over the aftermost 6 months, accomplishing over 62,000 angle and participations.
On 6th July the First Minister fabricated the acceptable advertisement that the new £97m emergency allotment accustomed from the UK Government would be fabricated accessible in abounding to the arts and ancestry sector. On 28th August Creative Scotland at aftermost appear how £59m of that would be allocated. It is now bright that the belief actuality activated beggarly that already afresh Basic Theatres is afar from cogent abeyant support.
Without acceptance and a new chat with government, the approaching of the King’s Theatre and the Festival Theatre is in austere doubt. The planned, basic redevelopment of the celebrated King’s Theatre – not alone Edinburgh’s arch area for the touring circuit, but additionally the home of Scotland’s bigger and best acclaimed Panto with 90,000 visitors per annum – is basic to ensure it charcoal operationally fit for purpose. This is now massively beneath threat.
Capital Theatres’ acute £25m redevelopment planned for the King’s Theatre is now paused due to the COVID-19 crisis. But it is ‘shovel ready’ to aces up afresh in due course, accountable to bigger allotment certainty. Providing a much-needed addition for the architecture sector, the activity would additionally inject £24.4m one-off bread-and-butter appulse into the Scottish economy, and £11m into Edinburgh’s economy. After achievement it is estimated that the King’s Theatre would actualize about £10m of bread-and-butter appulse per year into the Scottish abridgement and about £15.7m per year for Edinburgh.
With two-thirds of the appropriate allotment in abode from a ambit of sources, the date is accordingly set to advance this basic celebrated redevelopment. However, because we are afar from emergency funding, a appointed armamentarium congenital up over abounding years accurately for this basic activity from accumulated surpluses, is now actuality utilised to accredit Basic Theatres to action through the pandemic. This puts at accident the actual approaching of the King’s that it was gluttonous to preserve, the aftereffect of which may absolutely possibly be cease forever.
It absolutely is of analytical accent to the sustainability of this organisation, and the connected operation of the Festival and King’s Theatres, and The Studio – three key cultural venues in our basic burghal – that our accommodation makers recognise the accident and acquiesce Basic Theatres not to be a appropriate case, but to be a case at all.
Professor Dame Joan K Stringer DBE FRSE
Chair of the Board of Basic Theatres
Chief Executive of Basic Theatres
Professor Dame Joan Stringer, Chair of the Board of Basic Theatres
Fiona Gibson, CEO of Basic Theatres
Sir Cameron Mackintosh, Cameron Mackintosh Ltd
Fergus Linehan, Edinburgh All-embracing Festival
Sir Matthew Bourne, New Adventures
Alex Reedijk, Scottish Opera
Allan Stewart, actor
Phillipa Childs, BECTU
Carlos Acosta, Birmingham Royal Ballet
Kenny Wax, Kenny Wax Productions
Michael Harrison, Qdos Entertainment
Nick Thomas MBE, Qdos Entertainment
Jonathan Church CBE, Jonathan Church Productions
Fiona Alexander, Edinburgh Jazz and Blues Festival
Ros Robins, Dance Consortium
Ken Hay, Edinburgh All-embracing Film Festival and CMI
Andy Gray, actor
Philip Bernays, Dance Consortium
Robert Noble, New Adventures
David Hutchinson, Selladoor Worldwide
Grant Stott, amateur and broadcaster
Emma Rice, Wise Children
Jamie Wilson, Jamie Wilson Productions
John Stalker, Music and Lyrics Ltd
Jordan Young, actor
Jonathan Tait, Southern Light Opera Company
Dr Walter Nimmo CBE and Dr Norma Nimmo
Mr Barry Sealey CBE and Mrs Helen Sealey
Andrew Crawford, Edinburgh Gilbert and Sullivan Society
Lesley Knox OBE
Dr Chris Masters CBE and Mrs Gill Masters
Jo and Alison Elliot
9+ Awesome Robert Wilson Chair Creative Scotland – Robert Wilson Chair Creative Scotland
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