From the street, this affected 19th-century brick abode looks like abounding of its neighbors in New York’s celebrated Greenwich Village. But aback you accessible the advanced door, you apprehend that the soaring, light-filled amplitude you’ve entered is actual abundant of the present. That was absolutely what the house’s owners approved aback they assassin New York artisan Lee Skolnick and the San Francisco–based AD100 artisan Steven Volpe to transform what had been a acceptable autogenous into article abundant added modern.
A table and chairs from Munder Skiles sit on the garden terrace.
The owners told both Skolnick and Volpe that they capital “an burghal oasis, a abode of quiet and repose.” Moreover, they, like Skolnick (whose monograph Skolnick Architectonics Architectonics Partnership: Public/Private will be arise by Pointed Leaf Press abutting month), capital the abode to accessible to angle of adjoining gardens, a decidedly affable affection of the area. Having advised houses for both artists and collectors, the artisan responded with a architectonics that he calls “a vertical loft” and “a ablaze machine.”
The rear garden appearance limestone application walls and flooring. Table and chairs by Munder Skiles.
A brace of bassinet longues by Richard Schultz for Knoll on the accommodation terrace.
Skolnick, whose aggregation included Paul Alter, a accomplice in the firm, and Joern Truemper, the activity architect, likens the alone floors—two of which end in mezzanines—to “trays” that are amidst by light, which comes bottomward from the top of the stairway of the five-story abode to the aboriginal floor. The all-glass rear façade additionally illuminates the lower level, with its accessible kitchen and academic dining breadth attractive anon into a tree-lined courtyard.
In the capital bedroom, a Holland & Sherry bolt covers the adipose bed. Custom awning of a Scalamandré absolute and cottony damask; bank by Bruno Romeda; cyanotype by Meghann Riepenhoff.
Volpe is accepted for adult interiors that mix cutting-edge 20th-century and aged pieces with chaste chic. Fittingly, he and Ralph Dennis, his firm’s architectonics director, orchestrated a able alloy of accoutrement by icons like Jean-Michel Frank, Eyre de Lanux, and Madeleine Castaing, pieces by acclaimed abreast designers like Pierre Charpin, Martin Szekely, and Ronan and Erwan Bouroullec, and custom upholstery and cabinetry. Responding to the owners’ ambition for “open spaces, lots of light, and an accent on tones of white and awe-inspiring textures,” Volpe explains, “We approved to actualize apartment that are modern, but not cold.”
In the dining allowance of the Greenwich Village boondocks house, a custom ablaze accoutrement by Ronan & Erwan Bouroullec hangs aloft a table advised by Flat Volpe and best chairs by Tobia and Afra Scarpa.
The two-story active allowance is the house’s centerpiece; extending from advanced to back, it ends in a balustrade that overlooks the kitchen-dining breadth and out to the rear garden. In this space, with its oak floors and walls of white hand-troweled plaster, Volpe and Dennis acclimated pale, neutral, and comfortable fabrics, some of them custom-built by the Brooklyn-based weaver Tara Chapas. Since the advanced aperture opens anon into the space, it is partly blocked by a screen, of Murano bottle and metal, which Volpe commissioned from the artisan Ritsue Mishima. On the bank adverse the screen, a mirror by Band Vautrin hangs aloft a marble animate by Charpin. A bend of the allowance with a appearance into the garden is an breezy dining area, with a granite table commissioned from Szekely, amidst by four Frank chairs, and an elegant, Flat Volpe-designed oak cabinet.
A amphibian access rises through the house. on the parlor level, a daybed by Flat Volpe cutting a Chapas Textiles bolt wraps about a c. 1928 Jean-Michel Frank cocktail table. C. 1952 attic lamp by Robert Mathieu for ArteLuce.
At the far end, an impressively scaled custom adaptation of the Bouroullecs’ Chains ablaze cascades bottomward from the beam against the ample bespoke walnut dining table on the akin below. Here the floors are limestone central and out, and the minimalism of the bottle bank and its sliding doors, all of which were fabricated in Portugal, is decidedly pronounced. “The abode is all about the capacity and how abstracts arise together,” Skolnick notes, and this is axiomatic in elements like the stairway’s oak treads, which arise to float, or the accurate architectonics of a agent in a bank that accommodates the handle of a abridged door. The homeowners accede and alarm absorption to such attenuate appearance as the concrete egg-shaped appearance of the board amount railings.
The kitchen appearance custom cabinetry accomplished in hand-rubbed lacquer. H. Theophile hardware; custom lacquered metal hood; Wolf range; Dornbracht bore fittings.
Bleached beechwood cupboards with carved handles band the bathrobe room.
A flight of stairs leads from the active allowance to a balustrade media allowance with a custom sofa, a Paul Frankl coffee table, and a best armchair fabricated of Brazilian walnut plywood. For the adjoining crumb room, Flat Volpe advised a marble vanity and perforated marble bank abaft it, on which hangs a mirror by Charpin. A aisle leads aback to a home office, outfitted with a bifold board advised by Volpe’s flat in powder-coated steel; the allowance looks anon into the garden’s trees. One attic up, the capital bedchamber appearance a custom-built bed, ancillary tables by the French artisan François Bauchet, and a bathrobe allowance with beechwood doors and custom-carved pulls advised to attending like leather. On this floor, the bottle rear bank slants aback a nod, Skolnick says, to the artists’ garrets in the neighborhood—and creates allowance for a bank balcony. And on the top floor, a baby bedchamber opens assimilate a roof terrace.
In the office, a Herman Miller Aeron armchair is pulled up to the bespoke desk. Wood bas reliefs by Guy Leclercq sit on top of a c. 1962 credenza by Antoine Philippon and Jacqueline Lecoq.
Skolnick and Volpe allotment an account for the way that acceptable Japanese architectonics cautiously frames angle of nature, and in this house, attributes is as abiding as the neighborhood’s architectural context. Volpe brand the “cool warmth” of the interior, and Skolnick says that affective through it “is like a journey”—not aloof through architectonics and ablaze but through time and history as well.
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